Saturday, April 14, 2012

Superman & Batman: World's Finest Friends, not rivals.

Now, I hate it when some wannabe screenwriter goes on imdb.com or something and talks about how DC's wrong about just about everything. They're not. They're really not. For all of the relaunch's flaws, they managed to put out some new comics, and boost sales by quite a bit. I'm not interested in whether or not they got enough new female readers, and I don't think the "not enough casuals" problem will be solved until they get comics back on the shelves of non-specialty stores and tell more self-contained stories.

That's where Earth-One comes in, that's why I created the image above, and that's something I'll get to later.

But I think that whatever people want to harp on DC Comics for, or how much they deserve a zealous defense; one historic mistake put them in a world of trouble and I think they're just starting to see the error of their ways. That mistake: turning Batman and Superman--the two most famous superheroes of all--against each-other.

Between 1951 and 1983, Superman and Batman teamed up frequently. Sure they had a few fights (usually because of some off-beat silver age plot), but they were usually depicted as good friends with a mutual admiration. That started to change during a story in which Batman needed to save Lucius Fox from some terrorist in another country and due to whatever plot contrivance, the Justice League refused to help him, so Batman quit and formed the Outsiders.

I don't believe that automatically lead to becoming sworn enemies or something, but it was kind-of the beginning. This was definitely a different time for DC. Superman was DC's undisputed #1 hero. Batman and Wonder Woman were fairly equal candidates for #2, each with a live-action TV series under their belt; but Superman had two blockbuster movies to his name, with a third on the way. On the Super Friends/Super Powers animated series, Superman was seen as more-or-less the leader, though Wonder Woman and Batman usually got more screen time. Even the 1950s The Adventures of Superman was still in syndicated reruns. It may have been showing its age, but the controversy over the death of George Reeves was still a hot topic.

Sales of the "big three's" comics may have been low compared to Marvel as well as DC's own New Teen Titans and Legion of Super Heroes (interestingly, these were both books with young casts that had connections with older heroes) but everybody knew who they were, and Superman was the big gun. There were, however, some at DC, such as President Jannette Kahn (which I believe was revealed in a panel which can be found at www.thecomicbooks.com), and Vice President/Executive Editor Dick Giordano (as eluded to in a TwoMorrows book about the artist/editor), who were bigger fans of Batman. They respected Superman, of course, but they were certainly rooting for the underdog. It's easy to see why they'd want to put more emphasis on a character who--at the time--was best known for a TV show that was making fun of him.

By the middle of the decade, however, things were changing. Superman III was a critical and commercial disappointment, with Supergirl failing at the box office. Meanwhile, a young comics enthusiast named Michael Uslan had teamed up with producer Benjamin Melniker to license Batman and they were nearing a distribution deal with Universal when Warners decided they'd rather produce the film themselves (with the two being credited as Executive Producers) and thus DC began putting more emphasis on Batman.

Before that, however, DC Comics decided to unleash a 12-part "maxi-series" called Crisis on Infinite Earths which was intended to clear up continuity snarls and the "confusion" of having parallel dimensions that were home to different versions of given characters. The series may not have accomplished these goals, but it gave them an opportunity to reboot many of their classic characters, with Superman and Batman each getting a saga devoted to their revised origin. Man of Steel #3 established that, in the new continuity, Superman and Batman were not friends and disapproved of each-others' "methods."

This was, of course, rather overblown, but that same year, the famed Dark Knight Returns--a story which took place in an alternate DAAAAARRRRRK future--was released. This was seen by some as the return of the "dark" Batman, and certainly portrayed him as an anti-hero. In the book, Superman had become a pawn for the government and the climax of the miniseries gave us a battle between the two that has become legendary. From that point forward, DC was sending out a message: these two are not friends.

Meanwhile, Superman IV flopped. Hard. This was a result of Warners allowing Ilya Salkind to sell the rights to the book to the infamous Canon productions who basically released the film unfinished. Warners gave them $40-million, and they spent $27-million on other projects (sadly, I'm blanking on the source). The film would go on to gross only $17-million at the box office.  The following year marked the character's 50th anniversary with a flow of merchandise and Adventures of Superman marathons, along with two new TV incarnations: Superboy and Ruby Spears' animated series; however, it seemed like the Superman-mania from a decade ago, was gone.  By this time, Warners had bought back the movie rights to Batman.  They were glad they did.

In the Summer of 1989, no film could touch Batman and it seemed like the character was everywhere. You could not walk down the street without seeing guys from eight to eighty in black Batman t-shirts and baseball caps. There were action figures, video games, and a graphic novel adaptation featuring some of Jerry Ordway's finest artwork. If Superman's "big five-oh" was about nostalgia, Batman's was about rebirth.

If the first three years of the 1990s were a rough time for Superman, some of that blame has to go to Bat-mania. While the idea that they were "best friends" was a thing of the past, DC had portrayed the pair as a duo who shared a mutual respect rather than a contrived animosity, then perhaps Superman would have more of a leg to stand on. However, this wasn't the only thing in Superman's way. By 1992, the Dark Age was in full-swing, and Batman was riding high with a second movie in theaters and an animated series on TV. Superman was dead.

Literally.

While some people have tried to portray the death & return of Superman as some sort of low-point in the character's life, it's really this story which has kept the character alive. Those who read it could see that Superman could be challenged and was willing to lay down his life for others. When the character returned with the Reign of the Supermen saga--the genuine suspense of which was, admittedly, hurt by the ending which was a cheat--sales improved. Superman may not have been back on top, exactly, but he was able to compete again with respectable sales and a revived fanbase.

Not long after, a similar story wherein Batman's back was broken and he was "replaced" by a more violent successor surfaced. It wasn't nearly the cultural touchstone Superman's death & return was, but it did send waves throughout the industry. However, it may have been too much like Reign of the Supermen in that his replacement was a violent killer and Batman had to bring him down. This cut into the image of Batman as the merciless anti-hero he was supposed to be seen as, and made the rift between he and Superman seem even more pointless.

Speaking of this rift, a year after Superman's new animated series premiered--from the people who brought you Batman: the Animated Series--the inevitable team-up occurred and it epitomized the inherent flaws in portraying them as adversaries. Superman confronted Batman for simply manhandling a crook and was reluctant to tear down a wall on Luthor's compound rather than use his X-ray vision. However, he had no problems earlier in the episode with tearing the door off of Air Force 1 in mid-air and punching a hijacker in the face. Not only that, but a subsequent team-up later in the series, saw Batman criticizing Superman saying, "I should have counted on you to burst in with both arms swinging." It was clear that DC didn't even know why the two were fighting.

By that time, however, the comics seemed to have put it on the back-burner. When DC revived the classic JLA lineup in 1996, Batman was certainly given a surly personality; but that was outdone by that of a revised Aquaman. Meanwhile, much of the tension and conflict centered around the younger versions of Flash and Green Lantern (think Iceman and Goose but with super speed and a power ring) which filled the team.

During this time, however, DC got smart and began dealing with Superman and Batman as friends. After-all, it had been established early on that Superman at-least trusted Batman enough to give him Luthor's Kryptonite ring. The two started appearing in each-others' adventures more, and facing off against each-others' signature foes more--Superman battled the Joker here, Batman took on Luthor there--as part of an effort to integrate the DC Universe as a whole. They eventually even got their own series together--Superman/Batman--and joined forces in animation once more in Justice League.

The reason I depicted the Earth-One Superman and Batman above is because I'm making a comment that while a team-up between the two should have a dynamic and should demonstrate some "fundamental difference," they should not be portrayed as enemies. All that does is intensify already-existing fan-rivalries which are pointless and don't lend themselves to the fictional universe of a given story. The current Justice League comic seems to understand this, so here's hoping that future adaptations into other media--including graphic novels like the Earth One series--do not forget that.

Wednesday, March 28, 2012

Starfleet Babe

Here's a drawing of a girl from WonderCon who was dressed in a Starfleet uniform. I don't know who she was or where she came from, but she was amazingly gorgeous and this pic doesn't do her justice.

Wednesday, March 21, 2012

Post Wonder-Con Blog

Hey all:

Hokey Smoke, Bullwinkle, it's been a long time since I posted here. Welp, I just got back from WonderCon and would love to post some photos of hot busty chicks dressed up as Wonder Woman or Black Widow, but a new issue has arisen that has brought my piss to a boil.

Michael Bay is currently producing the upcoming Teenage Mutant Ninja Turtles movie and has made some comment about how they're from an alien race or something. I'm going out on a limb to hope that this is bullshit and that he's only "producer" for marquee value and isn't actually doing anything that a regular producer does. Buuuut there's been a lot of hate thrown his way, and just in case they're serious...

Tuesday, February 28, 2012

Image Expo aftermath

Hey all. Well, Image Expo has come and gone. I sold a few copies of my new minicomic Days of Dystopia #1, which I hope everyone will enjoy if they purchased a copy. I also met some great creators and so-forth, so it went pretty well. At the Cartoon Art Museum booth, we managed to make about $300, which is cool in that our table was free in that we're a non-profit.

No new art just because I've been spending a lot of time doing other peoples' characters. I even bought some of those Marvel sketch covers. They're kind-of intimidating, but it is fun to do them. But again: I'm not going to post those due to copyright issues.

Speaking of drawing other peoples' characters, I have a new project coming up, but I can't say much about it for a while. I will keep you posted once things start coming together.

Tuesday, February 14, 2012

Happy Valentine's Day

Today, I printed up 50 copies of my minicomic, which I hope to sell at the Image Expo. I posted the cover last week, so there's no need to do it again.

Also, I wanted to respond to criticisms of DC Comics' New 52. The Comics' Alliance had a piece on how the sales were supposedly so disappointing and how not enough women are reading them.

While I have my theories--including too much writing for the trade--I'm not sure the sales were so bad, but also, I didn't expect it to grab too many female readers. Most female readers of comics I know (remember: I said "most") are more into edgy, alternative comics and probably wouldn't be all that interested even if I prevailed upon them that a book like, say, Batgirl had a three-dimensional female lead and they agreed it was "pretty good" from reading a random issue.

As for women who actually like superheroes, most of them--from my mom to, like, 90% of women I went to high school with--they normally won't read many comics. My mom certainly "likes" Superman, but I just don't think she's gonna get in the habit of reading the ongoing series. Sorry, just ain't gonna happen. She did read the Castle graphic novel, but that was her first since Dennis the Menace's Hawaiian Vacation.

Someone else opined on what their problem was with DCNU, but in response, all I can say is...

Tuesday, February 7, 2012

Cover


With only ten minutes left for this to count as something I'm posting on Tuesday, this is the unlettered version of the cover of my minicomic. Oh, I might touch up a few things here and there, but this is it.

This is kind-of a nod to a strange fact I learned: when the first Batman movie with Michael Keaton was being promoted, a lot of people mistook the logo for an open mouth. How? I'm not really sure. I mean, you'd think most people had already seen it anyway, but then, in the old Adam West series, the image of the bat itself looked far different, thus, did not have the same negative space.

Anyway, I believe I'll have this baby available by the weekend after next, but I'm still not quiiite ready to start tooting my own horn on it.

In other news, I'm not gonna talk about politics this week, but I will say this: some people wait until there's an issue they're really passionate about to say, "write to your member of Congress." I say, if there's a stray thought that pops into your head, write to your House Rep, and your Senators, not to mention the President, your Governor, your State Reps and State Senators, and if possible, some judges. No matter what laws they pass, rulings they make, or orders they give, they work for you.

Also, over the past few weeks, I've been doing some work as a contributor to a website called http://artdebutant-sf.com/ I've been kind-of lax about not promoting it as much as I should, so I hope everyone takes a look.

Tuesday, January 31, 2012

The Black Terror and sequential stuff.


Here's a graphic piece of the Black Terror, who's one of the most popular Public Domain superheroes because, well, he has a cool costume.

Some of the details cometh from my own interpretation, and there's no way to not make Tim look like Robin, so... yeah. Also, Miss Masque and the other guy are in the public domain as well.

The other guy is called Daredevil, but of course, Marvel owns the trademark for their more famous character of the same name. In Dynamite's series' they call him Death Defying Devil which, as my dad says, "really rolls off your tongue."

Anyway, despite a lackluster few weeks, things are shaping up. Got a convention at the end of February and I think I should have a minicomic done by then. And, what the Hell, here's a preview.

Friday, January 20, 2012

7 (No wait, 10) Things We Learned from the SOPA/PIPA debate.


Last Wednesday marked one of the largest mass-protests of an act of Congress since... um... the last one. I'm talking about the "debate" (if you can call it that) over HR 3261, also known as Stop Online Piracy Act (SOPA) and its sister bill in the Senate, S 968, also known as Protect Intellectual Property Act (PIPA) which would allow the Justice Department to shut down websites that are specifically dedicated to piracy, that have limited use outside of that (i.e. not a social networking site), or advertise themselves as dedicated to such infringement (e.g. Torrentz, Pirate Bay); and which would criminalize streaming of copyrighted content within a period of 180 days where the total retail value is over $1,000 (I don't see anything in the Senate version that does that). Do I support this bill? Well, I hope Obama vetos it, so I guess that means I "oppose" it. And yet, I can't get behind the "movement" against it either.

The reason I oppose SOPA is the same reason I cringe at other peoples' protests. The law is too vague and expansive, but regardless, people are far too naïve when it comes to this issue. The real issue was the sheer hypocrisy involved. Wikipedia wants to impress upon people that it's too important to be taken off the net, so it blocked itself. Not only did it only serve to inconvenience the people who "need" it so badly, but it violated its own neutrality content. And no, its excuse that it could be neutral toward things that threaten its existence doesn't hold water because THESE BILLS NEVER THREATENED ITS EXISTANCE!!! It's a non-profit educational tool, and it doesn't encourage piracy nor does it advertise itself as doing so.

Also hypocritical was that a lot of people who probably never spent two minutes thinking about Copyright laws in their lives suddenly not only gave a $#¡% but started in with the standard, "oh, the corporations are taking away our right to do this, that and the other thing." Not only are they pissed off because--if the horror stories WERE accurate--they wouldn't be able to use something provided by corporations in the first place; but they have this knowledge from a truly shameful piece of corporate propaganda.

As a result, I've done a lot of research about IP laws. You might have noticed some of my old blogs disappeared? Yeah, well, I'm not answering any questions about that. Anyway, what I've learned, but I fear others haven't, is that...

1) Copyright laws still exist on the internet even if SOPA doesn't pass.

When you take into consideration all of the propaganda, logical fallacies, publicity stunts, buzzwords, bandwagons, falsehoods and sheer idiocy, one thing becomes clear: some people honestly seem to think that the internet is a virtual world without copyright laws.

In a de facto sense, this sometimes seems all-too-real. Copyright holders looking the other way on use of properties, amateur critics walking outside the realm of "fair use" in their reviews/satires, bootleg CDs, DVDs & tapes being sold freely on eBay, and everything else we've become so accustomed to.

Unfortunately for them, copyright law does apply. The moment commercial use of the 'net was allowed, existing laws were examined to see if they could apply, and new laws--even if it just meant adding, "or a computer program," to an existing statute--were enacted.

Here's the tragic thing: the bill will most likely either be defeated in congress or vetoed by the President. After that, people will rejoice and... continue breaking the law? After-all, streaming an episode of Seinfeld may not be a criminal offense if the bills are passed, but it's still a civil offense and it can still be prosecuted.

2) Some People don't know much about those laws.

Articles debunking copyright myths can be found here, here, here and here. And if that doesn't prove anything, start a conversation with people you know. People confuse Copyright with Trademark a lot, people think Copyright is something that happens when you register with the Copyright office (half-truth, you still have copyright without it, but it gives you certain privileges) and then there's the myth that mailing something to yourself proves that you wrote it or--perhaps in some peoples' minds--gives you the same privileges.

That's just a small handful of things, but let's talk about specific things that are more germane to the internet and this topic.

Often, people seem to think attributing the copyright holder means it's not copyright infringement. It's not. It just means it's not plagiarism. Copyright doesn't work that way.

As I've said, there are a lot of copyright violations on YouTube and other sites. Again, they are copyright violations now, whether or not congress passes these controversial new laws. The problem is that some people are so naïve that they don't know that whatever disclaimer they uses, it remains copyright infringement.

While I was doing research, I saw someone posted a video and his/her/their disclaimer read that no copyright violation was intended and that it was "for entertainment purposes only." Uhh... okay, Fair Use is broad and ambiguous, but nowhere does it say that it's cool to copy something "for entertainment purposes." In fact, the point of recording a song and putting it out on CD is usually to make money for entertaining people.

That brings us to the amateur critics. Especially the professional amateur critics. A lot of these guys blur the line between doing actual reviews and little comedy sketches. Usually, fair use (USC Title 17, Sec 107) does cover parody--as a form of comment and that means that you have to actually be making a comment about the work. Satire, however, is used to distinguish parodies that do this from parodies that use a work to satirize something else. Those are not covered under fair use.

In the case of most of these guys, this means that their usages of songs and film clips to make factious little comments (that they think are funny) are not, usually, covered under parody.

It would be easier to defend In Living Color's mean-spirited parodies of Michael Jackson songs, then Weird Al's good-natured ones, as ILC is commenting on the irony that a song about racial equality was written by someone who (they think) has disturbances in his ethnic identity. "Eat It" and "Fat," are not about the songs' subject matter or even Jackson's public persona, thus he had to get permission.

Finally, some might say, "yeah, but these would just be civil cases, but these bills would criminalize it." But they already might be in violations of those law if it's done for commercial advantage or financial gain (Title 17, Sec 506). All HR 3261 (Sec 201) does is amend that title to make internet streaming laws apply to an already redundant provision covering over ten bootlegged copies where the total retail value is over $1,000. The question is this: are they charging for ad space? Are they selling DVDs?

This is why I oppose the law. I support the copyright holders' right to remove such content from YouTube, etc., but I don't think these naïve people should do time for them. I doubt a judge would throw the book at them, of course, but it could be possible if it even seems like they could "sell" the videos for over $1,000.

Fair Use laws are, as they stand, too vague and these bills in congress don't change that one way or the other. In my DeviantArt journal, I've outlined why I think a single illustration of fan art is a fair use and I stand by it (I also think art depicting a given actor as, say, a superhero is fair use in that you're commenting on how he does/doesn't look the part), but I think the law needs to be more clear, especially if some companies are going to be protective and others aren't.

3) Some People mistake "freedom of speech" for "duty of others to provide a venue."

Let's get one thing straight: you have every right, under the 1st amendment to write a novel, draw some comics, or record some songs. If you have the means of publishing them, you have every right to. If you want someone else to, however, then it's up to them because, well, they also have constitutional rights.

The same goes with performances. If you want a gig at the local bar, or you want to put on a one-man-show, you have the right to do so at home, but unless you own a public venue, you're at the mercy of those who might not want to book you because your demo sucks or your script is idiotic.

That's not called "censorship," or "discrimination," or any other ugly word; it's called "life."

This ignorance of the scope of the First Amendment is all-too-pervasive enough without the internet problem, but what happens when you have worldwide series of venues (YouTube, Blip, DeviantArt) where they can remove your work or ban you from the site if they so chose?

In one of the many polemics about why SOPA and PIPA are not only wrong, but will bring about the end of civilization as we know it, the narrator says we should be "scared" over the fact that Universal Music Group took down a video supporting MegaUpload (by a bunch of famous rappers and r&b artists who can, y'know, put it out on DVD if they want) under what he says is be a false claim of their copyright being violated (I believe they denied that they took it down for that reason). It does seem like a lot of times, things are taken down for violating the copyright specifically pertaining to THAT GROUP (the point where some music videos were muted but not taken down for violations of UMG) but also Lionsgate.

YouTube is a private company. They have competition (Blip, Daily Motion) and are not necessarily required to keep anything up unless their indicia says otherwise. Furthermore, they could go out of business at any moment, and while we can cry, "oh, if they can bail out the banks, why not this wonderful instrument of Free Speech," the fact is, Congress is under no obligation to save them if that happens.

Then, people will be forced to--egad--find another venue for making videos.

4) Some People love to play "freedom fighter" and pull stunts to "protest" their "oppression."

I want to make something crystal clear. SOPA IS NOT CENSORSHIP!!! The idea behind censorship is to prevent the substance of something from being publicized or spoken. And yet, so many people say it is. Why? Because at the end of the day, Joe Schmo can't upload his favorite Beatles song onto YouTube, ergo there's a form of expression we can't use.

Problem? The guy already "can't" do that, and SOPA just changes the way it's enforced. More importantly, however, any CD he would have access to is already on the public market. Therefore, the material therein isn't being censored.

But isn't his uploading it a comment that he likes it? Perhaps, but he can still just create a video saying he likes it. In fact, he can do a review of it and use PARTS of it or the whole album INTERCUT with his comments. That way, he still gets to say, "here, I like this," but it won't provide an alternative to downloading it.

I mean, this kinda goes back to my first point: people think the internet is/should be a land without copyright laws. Heck, there are probably people in the world who think that intellectual property is a false concept and that all Copyright, Trade Mark, Patent and Trade Secret laws should be struck down.

And you know what? That's fine. If you feel that way, just fucking say so; but don't act like this is some entirely new thing and that it's suddenly this ugly word. Do you respect IP laws or not? Just say so one way or the other.

5) Some people can't seem to remember a time before the internet and take tools like YouTube and Wikipedia not only for "granted" but as an indispensable birthright.

My family first got the internet somewhere between April and June of 1997. Things changed and I was able to obtain a lot of information I hadn't been able to before, and "go out with" a girl in Michigan... buuut things also changed because of how old I was, what music I was listening to, and what brand of hair gel I was using.

The specifics changed due to the internet, but the general principles didn't. We had Compton's Interactive Encyclopedia to research important stuff, Wizard Magazine to tell us how bad upcoming superhero movies would be, and instead of Pam & Tommy's Honeymoon tape, there were John & Yoko on the cover of Two Virgins.

And even after getting the internet, there was no Google, Facebook or Wikipedia, though there was Yahoo! AOL software, and probably some online encyclopedia. In other words, the more things changed, the more they stayed the same.

That's what people seem to forget: the internet may have been the shining achievement of the 20th Century and, so far, the blood that flows through the veins 21st; but while it's a great tool--in some ways, invaluable--for networking, research and socializing, people were capable of communicating with one-other before it existed.

My point isn't, "oh, let's stop using the internet." My point is that we aren't grateful for this wonderful tool. Instead, we're ever-more expectant. Heck, I probably throw more hissy-fits than anyone over loading time and such.

But regardless, instead of being grateful that the US pretty much just gave us the internet, in 1989; we expect more, yet, we don't even take the time to use it for what it's for: research.

6) People don't take advantage of the tools given to them (on or off the internet) in the name of a transparent government.

Here's HR 3261 itself.

Many of the horror stories about what SOPA will result in simply ignore key aspects of the bill. Advertising sites and payment sites have "no duty to monitor" (look up HR 3261 and search for that phrase, you'll see I'm right) and actions taken by the Attorney General simply broaden the scope so that law enforcement can do to foreign sites what they can already to do domestic sites.

Furthermore, they can't block payment to, say, eBay, but only to a particular seller on eBay (common knowledge: you don't pay eBay when you buy something, you pay the person who's selling it). In plain English, if someone's selling a bootleg tape of an Aerosmith concert, members of the band can prevent payment toward whoever's selling it. And if a band where one's an American Idol judge and one's a Ron Paul supporter isn't sympathetic enough, then if I taped my friends' band (hi, Noel, Carlos & Kenn) while they were performing and sold it on eBay, they could prevent payment towards me.

Of course, now I'm giving people too much credit. If they read SOPA and it contradicted what they already thought, I doubt it would change their minds, because...

7) Propaganda leads the debate in this country, especially when it's offered as a grassroots protest.

After all the publicity stunts from Wikipedia, Google and everyone else involved in these over-the-top arguments against HR 3261 and its sister in the Senate, we all know what happens next: they read the bill, apply what they read and their brain just kinda filters out "no duty to monitor" this and, "Rule of Construction" that. This happens all the time, there are no exceptions.

How many people have heard that SOPA "opens the door for other countries to censor us," argument? This slippery slope argument ignores the fact that they already can with or without SOPA. How many have heard the, "oh, you can't stop all pirating!" argument? You can't stop every instance of any crime, but that doesn't take away the state's right to peruse and punish it. How about, "piracy isn't theft because it just creates another copy?" This apples & oranges comparison assumes that piracy is an offense against the consumer, when it's an attack on the producer. Like the need to point to facts to back up your assertion, the need for logic has flown out the window.

The point is that a bunch of people have bought into propaganda, but because that propaganda is against a) the government, and b) corporations, they're standing up for the people. Nevermind that much of it came from a) people rooting for certain politicians and wanting the President to look like a hero for not signing it, and b) corporations such as Google and Forbes pimping "arguments" against it that don't hold water but they just framed it that certain way.

How can there even be a debate over a bill like SOPA in the industrialized world?

Let's say you still don't understand the difference between intellectual property protection and political censorship, and the internet's goal, which our founding fathers foresaw in their great vision, is to provide any form of communication regardless of the laws which are in place in the real world. Let's say that most of the horror stories about SOPA/PIPA are true and any business owner can shut down any website at will.

That would be bad.

But of course, that's not the case. And if you've made it this far, chances are that while we can agree to disagree on a few things, you can see what I'm saying. I hope.

But most people aren't going to read this blog and for every article I've read that deals with SOPA in an intelligent way, there's about six hundred that mislead, bludgeon and in every other imaginable way, force people to think, "if you support this bill, you are a traitor and you'll be putting innocent people in prison!"

It can't be done! Like, the nuances of the bill might as well not even exist and whoever drafted it might as well have said, "we want to kill each first-born son!"

Now, you might be thinking, "so what? Who cares what some punk on Facebook thinks, and of course overemotional fans of the Nostalgia Critic are going to go bonkers!" The problem is that even our members of Congress aren't immune to this type of thing. They are propagandists, they can be unreasonable, and while you can write to them, they're under no obligation to agree with you or even seriously consider what you wrote.

I don't write Pete Stark because I know who he is: a political extremist who simply cannot be reasoned with. I will occasionally write to Dianne Feinstein, whom I consider more reasonable (and powerful) but she represents the entire state whereas Stark only represents my immediate area (as is the case with House members) and therefore has to contend with an entire state.

Now, maybe I'm just unlucky enough to live in an area where we're represented by the one bad apple, but I don't think so. Not at all.

But back to the court of public opinion. It seems to be an issue of personality whether or not someone takes nuances of bills like HR 3261 into consideration or just goes, to paraphrase someone who commented on a message board, "SPEECH: GOOD!!! GOVERNMENT: BAD!!! HULK SMASH!!!" which is the mentality I'm seeing.

This is, by no means, the only issue within which I see this taking place. I won't go into some issues which are even more ideologically sensitive. I will say, however, that I don't see a light at the end of this tunnel. As long as people continue to be bought by propaganda and play into this drama queen ideation, Congress is going to take people less seriously and finding true solutions to problems will be harder and harder.

Edit: I also feel that I should comment on the closure of Megaupload. I'm not particularly familiar with the site and believe I can honestly say I've never used it to download anything, at-least as far as I can remember. In any case, it tells me three things that are important to this.

1) This is the kind of site the Feds are after. YouTube is distinct from MegaUpload in that you can't download its videos, and the intent of the site is for people to post videos of themselves. Not only that, but in the wake of acts of infringement, the music industry has used YouTube to create VEVO, which is where the official accounts of certain noted recording artists (or their labels on their behalf) can post official music videos in order to sell ad-space.

2) This was the result of a long investigation, a long cry from the baseless hypothesis of a copyright holder (or non-copyright holder in fabricating a copyright claim) reporting a minor violation and having the entire site like Facebook taken down as a site "dedicated to the theft of US property." Maybe the people behind Megaupload will be found guilty and maybe not. But this appears to be a legitimate bust of already-illegal activity.

3) Our government doesn't need SOPA or PIPA. These bills would be redundant and all they've served to do is create mistrust, misinformation, over-the-top rhetoric, shameful publicity stunts and a bandwagon that was jumped upon by people who have no dog in the fight other than watching free stuff on YouTube.

Tuesday, January 17, 2012

Inked page and sketch

Welp, ladies and gentlemen, I'm getting closer to my goal. To your left, you will see an inked page from my current project and I'm now on the coloring stage. In theory, coloring is the easiest part of doing a comic book, but in practice? Sitting in front of your computer all day can cause some mondo eye strain.

Anyway, I already posted the penciled version of this page and hopefully by next week, pp. 2-7 will be included in a PDF that'll be distributed online along with some other comics. I'll let y'awl know how that turns out.






Tomorrow night, my parents are taking me to see Cirque du Soleil's Michael Jackson: Immortal World Tour. I know I already posted a sketch of him last year, but why not another one in honor of the show? Besides, last week I did the King of Rock & Roll, why not the King of Pop? Maybe next week, I'll do the Prince of Darkness. Hope MJ didn't have a pet bat.

BTW: I colored the jacket with a black crayon hoping it would give it a cool texture. It didn't, so I also colored his face with a crayon. That didn't come out well when I scanned it, so I just fooled around with some filters before I got an effect I liked.

Tuesday, January 10, 2012

HAPPY NEW YEAR!!!



Okay, it's a little late to have a "Happy New Year" blog... but that's kind-of the theme. See... I've been doing a miserable job of keeping this blog afloat. It's been almost two weeks since I've posted, and I need to get back to a weekly.

So, where do I begin? Well, I've weighed in ad-nausium about the DC reboot, and DC's big movie this year--Green Lantern--wasn't much to write home about. But the game? Well, I did manage to get a copy of Arkham City, so here's a shot of Batman and Robin in the game. Yeah. Robin's a downloadable character if you have X-Box live. I don't have a wireless adapter and can't hook it up to a modem, so I'm a bit SOL. Then again, how much time am I gonna have to play anything? Yeah, it doesn't really matter. My mom got me the collectors' edition of the game for Christmas, which came with a maquette and a booklet with concept art. I love my mom. I also got Ultimate Marvel Vs Capcom 3, but that was nothing to write home about.

BTW: if you're reading this, Cousin Tim... I challenge thee.

Anyway... I don't really have any Marvel-related art, even though they've got two huge movies coming up and, no doubt, some huge comic events. I wasn't a fan of the reboot of Ultimate Spider-Man. I don't have anything against the new Spider-Man, but for ALL the hype they put into it, the first issue doesn't have the @#$% courtesy to let us see him in action. The issue ends with Miles noticing he has a power that makes him turn invisible. Damnit! The first appearance of the regular Spider-Man, way back in 1962 was only 15-pages, and we got a complete story. Peter's a nerd who gets bitten by a radioactive spider and gains spider powers, he tries to make it in showbiz and gets cocky until he finds out his uncle was killed, then goes after the burgler only to discover that he could have stopped the killer who was committing a robbery during one of his shows. This is at-least 22 pages and it's paced so deliberately that nothing @#$% happens! I know they're writing for the trade. I accept that. But I do expect something to happen when something is hyped that much!


Anyway, something I'm thinking of adding to my blog is music sketches. I had a lot of fun doing my Led Zeppelin sketch on 11/11/11 (which was not only National Metal Day, but also mere days after the 40th Anniversary of the fourth album) and I felt like doing more music-themed sketches. I also did a Michael Jackson sketch around the same time. I think the idea of listen to a popular album, and do a sketch of the artist around the same period sounds fun, and who better to start with than the King of Rock n' Roll himself? Sunday being the Big E's would-be birthday, I did a sketch of him while listening to his 2nd album.

Finally, here's a flyer I drew for my friends' band. They're playing at the Moose Lodge on the 28th, so check 'em out.